Outcomes - Mask

The Mask

The idea of the mask comes from the Breathing Station - an installation in a future Distopian world where the air you breathe is no longer free. The idea presupposes that the CO2 content in the air has reached levels that will not sustain human life. It is also an idea of future artifact - so that the setting is the future and this is an object of the past with a distopian feel to it. I managed to obtain a couple of fireman's masks via a friend of a friend. They are identical to those worn by riot police in Europe - the difference being the use of a filter versus an air tank. It is an intriguing object.

I eventually decide to try casting in bronze - by now it is getting down to the last 4 weeks before hand-in.
The original mask set up for latex casting
Good layer of latex

Drying

Two piece plaster cast over latex to hold shape

Actually the third attempt to get a wax
positive - this time painting on the wax
at low temp, some issue with defects doing
it this way as against pouring

The first casting - water in the wax - wax
floats on water...

The second casting - multiple poured to form the
complex shape - lost detail while working
The third attempt, painted on wax, handled
carefully - left in latex as edges repaired, all sprued
up and reading for investment coatings.Found it
was very important to weld the was components really
well otherwise they just fall apart at the worst
possible time.

First coat of investment, looking good. 
Note that the added wax funnel acts as a base.



Set up ready to steam the wax out of the dried
shell of 5 coats of investment - wall paper steamer

By now I have learnt the value in wax welding
- note loss of front sprue. The coating is quite a
physical process so strong sprue structure is important
Unfortunately the steaming expands the wax
cracking the shell - well, it shrinks when it cools so
that makes sense - stopped before wrecking the shell.
Added further layers of investment plus fibreglass
matting

This time I'm going to blast it with a massive
propane torch, heating the wax from the outside
and allowing it to melt and flood out before it
can apply pressure to the shell



Heating the fired ceramic shell -
it has been fired in a kiln

Graeme and Greg in the foundry, pouring
molten bronze into my casting